袁梓宸钢琴独奏音乐会在中央民族乐团成功举办

转眼间，秋色已浓，在这收获的季节，继北京音乐厅钢琴独奏音乐会之后，11岁的袁梓宸在环境优美、格调高雅的中央民族乐团音乐厅又迎来一场个人音乐会。

袁梓宸钢琴独奏音乐会

整场音乐会分为三个篇章，共18首作品，将古典音乐作品和当代流行元素完美的结合。既有欢快愉悦的炫技作品，又有充满时代气息的流行经典曲目，还有活泼灵动、童心满溢的四手连弹演奏。

袁梓宸钢琴独奏音乐会

第一部分是古典音乐作品，袁梓宸以一首《奏鸣曲》—贝多芬第三乐章回旋曲开篇。他用严谨的弹奏和娴熟的技巧，从容的演奏着这首达到了贝多芬早期钢琴奏鸣曲之顶峰的杰作，这是一首因其戏剧性的优美旋律而为世人所熟悉的作品。音符随着他流动且轻盈的演奏拉开了本场音乐会的序幕。接下来的几首作品都是选自The Art of Finger Dexterity Op.740，众所周知车尔尼740钢琴练习曲是极为重要的技术练习，总体上偏重于技巧的训练，既有基本技术的练习(如音阶、琶音、和弦等)，又有各种专门技术的训练(如八度、双音、震音、颤音等)，袁梓宸在学习中针对每一条的学习重点，运用科学、合理的练习方法，提高练习效率，在以前学习的基础上进一步训练手指、手腕、手臂之间的协调配合动作，逐步掌握各种专门技术，加强手指的灵活性。为了本次音乐会能呈现出更好的演奏效果，每日苦练基本功。

袁梓宸和杨景舒一起演奏的四手连弹作品《在晴朗的日子》

袁梓宸（右）和杨景舒（左）一起演奏的四手连弹作品《在晴朗的日子》

第二部分是袁梓宸和杨景舒一起演奏的四手连弹作品《在晴朗的日子》、《人生的旋转木马》、《世界的约定》和《无论何时，无论几次》等久石让经典作品。两位小朋友配合默契，用指尖在黑白键上一唱一和，将久石让精致细腻、唯美浪漫的音乐演绎的淋漓尽致，用熟悉的旋律将现场观众代入了宫崎骏经典动画作品，观众仿佛和善良的动画片中的苏菲一起在陡峭的崇山和一望无际敞开的天际之下谱写一段感人的战地恋曲，和勇敢的琪琪一起伴随着白鸥在碧蓝的海洋和绿色的城镇上空无拘无束的飞翔，和不屈的千寻一起学会如何在善恶交错的社会里积极探索一条入世的道路。

钢琴伴奏 袁梓宸 朗诵 冯明磊

钢琴伴奏 袁梓宸 朗诵 冯明磊

第三部分是大众耳熟能详的现代作品，既有像《蕉叶微风》、《青空》等流畅舒缓的纯钢琴曲，也有像《最后的爵士》、《CINEMA》、《如愿》、《萱草花》、《夜的钢琴曲》等影视经典配乐和主题曲，他用充满歌唱性的音乐线条、饱满的情感为观众带来了一场听觉盛宴，每一首都贴近心声，用琴声诠释着弹奏者内心的波澜起伏和心路历程，让观众在充满着诗一般的琴声中久久不愿散去。

冯明磊、袁梓宸、杨景舒与钢琴指导老师战华娜老师合影

音乐会结束，袁梓宸感到十分的荣幸和感恩，能够两次登上梦寐以求的闪亮舞台，能够在两个月的时间内连续举办两场独奏音乐会，既要感谢自己对音乐的热爱和不懈努力，更要感谢战华娜老师的认真指导和悉心培养。是战老师一次次的鼓励让袁梓宸克服了畏难情绪并发自内心的爱上了音乐，领略了音乐的魅力。

袁梓宸与他的钢琴导师战华娜老师

正如战华娜老师所言，每一场音乐会，都是孩子梦想的开始，是对自己学琴成果的总结和汇报，音乐的学习道路异常艰辛，唯有坚持才有机会触及梦想。悠扬的琴声记录下了他和战老师一起努力的时光，也让他明白了坚持的意义。

这一晚，在中央民族乐团音乐厅的舞台展示了他和战老师阶段性的教学成果，相信未来，他同样会以更自信的姿态站在更大的舞台上，去实现他的音乐梦想。

In the blink of an eye, the autumn colors have become thick, in this harvest season, following the piano solo concert in the Beijing Concert Hall, 11-year-old Yuan Zichen ushered in another solo concert in the Concert Hall of the Central Chinese Orchestra with beautiful environment and elegant style.

The concert was comprised of three chapters and a total of 18 works, combining classical music works and contemporary pop elements. Besides cheerful showmanship works, pop classics full of the atmosphere of the times, there were also lively and flexible, childlike four-hand playing.

The first part was a classical music work, and Yuan Zichen began with a Sonata, Beethoven's third movement of the melody. With rigor and skill, he calmly played this masterpiece that reached the peak of Beethoven's early piano sonatas, a work that is well known to the world for its dramatic and beautiful melody. The notes kicked off the concert with his fluid and graceful performance. The next few works are selected from The Art of Finger Dexterity Op.740, as we all know that Cherny 740 piano etudes are extremely important technical exercises, generally focusing on the training of skills, not only basic technical exercises (such as scales, arpeggios, chords, etc.), but also a variety of specialized technical training (such as octaves, diphthongs, tremolos, vibrato, etc.). Yuan Zichen adopts scientific and appropriate practice methods to improve practice efficiency. On the basis of the previous learning, he further enhances the coordination between the fingers, wrists and arms, and gradually masters various specialized techniques to strengthen the flexibility of the fingers. In order to present a satisfying performance in this concert, he practices very hard on the basic skills every day.

The second part was a four-handed playing work played by Yuan Zichen and Yang Jingshu,. They played the classic masterpieces of Hisaishi such as "On a Sunny Day", "The Carousel of Life", "The Convention of the World", and "No Matter When, No Matter How Many Times". The two children cooperated with tacit understanding, dancing on the black and white keys with their fingertips, fully interpreting Hisaishi's exquisite, delicate, and romantic music and brought the audience into Miyazaki's classic animation works again. The audience seemed to compose a touching war field love song with the kind Sophie among the steep mountains and under the endless sky, fly freely with the brave Kiki accompanied the white gulls over the blue ocean and the green town and explore a path to the world in a society where good and evil intersect along with the indomitable Chihiro.

The third part was a modern work that the public is familiar with. Other than the smooth and soothing pure piano songs such as "Banana Leaf Breeze" and "Blue Sky", he also played those film and television classic soundtracks and theme songs such as "The Last Jazz", "CINEMA", "Wishing", "Grass Flower", "Piano Song of the Night", etc. He has brought an auditory feast to the audience with singing musical lines and full of emotions, each piece is close to the heart, and the piano sound interprets the inner ups and downs and mental journeys of the player‘s that let the audience be reluctant to leave the hall for a long time in the sound of the piano full of poetry.

At the end of the concert, Yuan Zichen felt very honored and grateful to be able to board the dreamed shining stage twice, and to be able to hold two consecutive solo concerts in two months, not only to thank himself for his love and persistent efforts for music, but also to thank Teacher Zhan Huana for her careful guidance and whole-hearted cultivation. It was Teacher Zhan's constant encouragements that made Yuan Zichen overcome his fear of difficulties and fall in love with music from the bottom of his heart, and appreciate the charm of music.

As Teacher Zhan said, every concert is the beginning of a child's dream, a summary and report on the learning results. The learning path of music is extremely difficult, and only way to realize the dream is perseverance. The melodious sound of the piano recorded the hard time he and Teacher Zhan worked together, and also made him understand the meaning of persistence.

This night, he and his teachers have presented their phased teaching achievements on the stage of the Central Chinese Orchestra Concert Hall, and it is believed that in the future, he will stand on a larger stage with a more confidence to realize his musical dreams.